In Europe we had to search for news in English. One of our reasons for the trip was to shed the nonstop news cycle so we did not look hard but got our occasional fix from the Herald Tribune, now published by the NYT, or BBC. However, we found that we were inundated by popular culture wherever we went. And it was very interesting to see the themes that stood out through our journey.
In Europe, Michael Jackson is still the King of Pop. We were in Belgium for the one year anniversary of his death, which was a very big deal there. TV news reran clips of the funeral and Michael dancing. The cafés and bars bloomed with music videos spanning his career. And man on the street questions were all about MJ. Our friend the playwright, Davey Leers gave a conspiratorial look whenever the KOP was mentioned. He assumed that Michael Jackson was a bond between our two cultures, something that we both well understood.
It made me wonder how Michael’s popularity and charisma survived the media bombardment intact in Europe. Ben, our son thinks it is because the Europeans were able to separate the sensational stories in the press and coverage of his weird personality from the art and movement of a master performer.
Che Guevara tee shirts, graffiti, and posters were everywhere we traveled. I took this to be related to the fact that there is still a Left in Europe. Every day we saw evidence of this, whether it be Andrea Merkel criticizing the French for illegal deportation of Roma, marching in support of low university tuition or keeping pensions and social security at current levels or just people pouring into the streets to protest meetings of fascist organizations. The popularity of Guevara seems tied up with a political system that has room for every voice.
And then there was the ubiquitous cultural train wreck of a music video California Girlz by Katy Perry. This was the number one song of the summer and the music video was as unignorable to me as it was horrible. To her credit, I could not get Rhonda to watch it as she attributed my interest as pure salaciousness. Absolutely everything about the song, video, dancing (?) is awful including the aging (only 39, but looks 60) coked out Snoop Dogg. As Chris Rock said in the old Saturday Night Live skit to whoever was playing LaToya Jackson, “Get your sorry ass outa here.”
I don’t know why anyone would want to watch this thing except from the standpoint that it is so bad that it is good. But pop is pop and once something finds its way into the scene and goes viral there is no program known to cleanse the system. In fact I suspect that this particular video was more available in uninhibited Europe than in the US, because European media is much more explicit and society much more open. Beer gardens with children’s playgrounds, women’s topless and men’s tiny pouch swimming suits, commercials in train stations that use vegetables to portray sex between adolescents, and prostitution, all are within European decency standards. Whatever else, this video shows that the US pop culture industry can dominate at least as well as Goldman Sachs.